Narratology

Introduction: At first glance, Citizen Kane and Rashomon seem structurally similar to each other and as well each explores the concept of truth. They both use multiple narratives to tell their stories; however, the idea of truth is handled differently in each. Citizen Kane is a fictionalized documentary about the life of wealthy newspaperman Charles Kane. In Rashomon, while each narration widens understanding of the motivations of the narrators of the event, only one of the varying accounts is factual

Goodfellas' narrative structure creates an argument parallel to the proceedings in Plato's Republic, Book II & Book IX, in which audience members are asked to re-evaluate their own facility toward filmic influences by first idolizing and then reprimanding the tyrannical man.  Martin Scorsese makes the gangster life, or the life of an unjust man, seem easy and preferable through his use of romantic elements in his film. His unjust man, Henry Hill, is protected from every angle from the law by way

Narrative Therapy In the early 80’s a new theory garnered acclaim in psychotherapeutic circles. It is called Narrative therapy and has its roots in a postmodern idea known as constructivism. Ian Ridgway (2005) defines constructivism this way, “Humans create meaning within social contexts because it is believed either that reality is essentially without meaning or its true meaning is beyond us.” Michael White and David Epston are the two most prominent figures in the development of Narrative Therapy

Narrative Therapy Original Design Narrative therapy was originally designed for survivors of trauma. Michael White is known as the original founder of narrative therapy, along with his co-author David Epston (Phipps, 2011). Narrative therapy developed in the midst of a new theoretical development of systems theory. This theory brought in a revolutionary concept of understanding an individual in a broader sense; based on their interpersonal relationships. Narrative therapy also uses this nonlineal

Brian S. Ekasala ENC1102-170861 Professor Martin-Buchanan May 29, 2013 Journal Response #2 Retrospective Narration of “Orientation” “Orientation” written by Daniel Orozco (McMahan 454) was to me, mostly a comical read. I have that dark sense of humor I guess. I liked the way the story was presented. By using primarily first person narration, I felt as if I was the one being shown around the office on my first day of work. I found myself conjuring up question after unanswered question as

Film History Essay “How important a contribution does the script make to any given film?” This essay will look into the history of film and its development of storytelling on the cinema screen. Including how a script is important towards the final outcome of the film and the many technical practises that make film narratives ever growing. A script is the very soul of a film, without it there is no story or relatable characters that have meaning or purpose. When an audience visit the cinema they expect

Critical discourse on the “Cyclops” episode of Ulysses has remained remarkably consistent over its history. Much of the analysis focuses the episode’s dual expression through narration and what David Hayman calls the narrative “asides,” with other attention paid towards the episode’s narrative structure and characterization. In this paper, I will explore the episode’s history of critical discourse, beginning first by looking at the process of its creation as explicated by Michael Groden in his essay

Article Three – Author: David Bordwell / Title of Article: The Art Cinema as a Mode of Film Bordwell, D. (1979). The art cinema as a mode of film practice. Film Criticism, 4(1), 56-64. 
 David Bordwell wrote his article ‘The Art Cinema as a Mode of Film’ in an effort to convey the main idea that “art cinema” can be considered as a distinct mode of film practice, through its definite historical existence alongside other cinematic modes, set of formal conventions, and implicit viewing procedures. Rather

In her article Kate Chopin’s View on Death and Freedom in The Story of an Hour, Xuemei Wan proposes that Kate Chopin The Story of an Hour expresses birth and death, psychology of Mrs. Mallard, and freedom. The Story of an Hour written by the American woman writer, Kate Chopin (1851-1904) fully shows us the tremendous conflict between life and death among those women who had more self-awareness. Who had less social living space according to the established social norms 100 years ago in a dramatic

This unit was my favorite kind of writing, so it was easy for me to understand. Learning how to write narratives was very informative. I never thought that narrative writing had a specific structure or purpose. The details in narrative writing is essential for a good story. Describing the scene and allowing the reader to develop their own opinion on the character allows the story to be more interesting. Characters should develop throughout the story to show the purpose. Peer editing a narrative allows