Footage

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    contemporary news footages as well as current interviews of the people involved in the multiple sides of this event. The essay will

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    Swimming South Analysis

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    the damage this animal can do to not only us but to are whole economy. With various techniques being used to the capture viewers’ attention on the topic such as language, camera techniques and archival footage combining well together to make a well presented and informative

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    Steward 1 Melissa Steward Research Essay English 367.01 12/8/04 Capturing the Friedmans "Home movies are about innocence--our lost fuzzy, glowing personal pasts, all horseplay, and funny hats and the promise of youth" (Cooper, 23). Andrew Jarecki's remarkable film, Capturing the Friedmans captured just what is clearly a case study of extreme family dysfunction through such home videos. At first Andrew Jarecki just wanted to do a nice little documentary

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    Wherever we go, whether it be the grocery store, the mall, or even the couch, people are constantly bombarded by the elements of persuasion. For example, when buying a carton of milk, the advertisers will entice buyers with statistics and a list of healthy ingredients. Or while flipping through a magazine at the dentist's office, marketers draw the eyes in with bright colors and bold text. These elements of persuasion, rooted both in visual and logical appeals, can also be woven together to create

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    hand processing, to found footage and traditionally shot sequences.  The title of the film roughly translates to "Babbling Ghost." Babbling from fear or shock. The Gibber Eidolon is a being that is not quite there because it is suffused with terror. Its perspective is of diffused chaos. Concretely, the film is a tour of various San Francisco Bay Area graveyards; almost all of them have residents going back to the 18th and 19th centuries. Also, the film contains live footage of historic computer technology

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    psychological reasons behind knife crime felt seamless and began to answer why Rhys was witness to such an event, thus putting his experience into context. We also combined what Ffion was saying about how knife crime can often seem impulsive with CCTV footage of an unprovoked attack. This evokes a similar reaction as ‘citizen journalism’ as it ‘provid[es] vital evidence of events beyond the reach of the centralized mainstream media’ (Chanan, 2012), as the unedited blurry image emphasises how unplanned

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    The basic argument of the documentary, Other People’s Footage, is to explain the process of using copyrighted footage for a new purpose, whether that be in films, music, etc. The documentary states that fair use comes out of the first amendment, which means it is completely legal to use. It also argues that fair use is easy to implement, as long as you follow three simple questions that deal with content and time-limits. The new work must be “transformative” as well. This means something new needs

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    Afterlife with Archie was one of my favorite pieces we viewed throughout the semester. It was separated from the other works before it because it used visual horror within a book. Many of the works in the internet horror module are visual but different because they are short films. “The Black Hole” was one of the works we viewed that showed a different kind of horror than any of the other pieces we viewed. The works have similarities, but very different stories. Both works are similar in the fact

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    Live streaming video game footage is becoming an increasingly bigger phenomenon in the gaming world. Already some forty-five million gamers go on Twitch every month to stream, watch, and chat about games. And that’s just one streaming platform, there are others platforms, like YouTube gaming, just to name one. But streaming is traditionally something that was done from a PC and pc games like DOTA, Counterstrike, and StarCraft dominate the streaming scene. But with the newest generation of consoles

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    Why is the found-footage genre still a thing? It’s almost like “fetch” at this point, filmmakers need to stop trying to make found-footage happen. It’s like Arnold Schwarzenegger’s friend on a plane, it’s dead tired. In all seriousness, I do still think there’s hope for the found-footage genre, but that kind of salvation can only come about when the people backing these films learn to remedy a few of the more problematic elements that have long plagued the genre. One of the biggest red flags that

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