Martha Graham Essay

resemblance to Doris Humphrey’s technique which focused on the breath while dancing. I noticed this in almost all of the dances in the first half, but especially “Etched Breath” by Kelly Francis. “Separating the Strand” was slightly dissimilar to Martha Graham’s technique because it didn’t seem to utilize the contract and release method and did not include as much of the percussive, sharp movement quality. Because of all I have learned about modern dance this semester, I believe I was better able

The URL of the dance company’s website is http://www.newyorklivearts.org/programs/present/btj-az-dance-company.php. The principal choreographer and creative director of this company is Bill T. Jones. These tasks were previously shared with Arnie Zane, until his passing in 1988 due to AIDS related lymphoma. Although the principal choreographer of this company is Bill T. Jones, the company has also collaborated with various artists such as Anne Bogart, Keith Haring, Cassandra Wilson, Orion String Quartet

Pina Bausch was born in Solingen, near Düsseldorf, Germany, in the middle of World War II. Was the third daughter of August and Anita Bausch, who had a restaurant, where Pina grew up and took her first dance classes. It was there when her parents realized her extreme physical flexibility and talent, they decided to support her so at age 15, she would study with choreographer Kurt Jooss at the Folkwang School in Essen, where Pina would acquire the foundations of German expressionist dance that would

Betty Marie Tallcheif changed her life forever when she decided she wanted to be a ballerina. In her career as a ballet dancer she discovered how to mix her heritage with her talents of dancing. If you didn’t already know her she is most famously known for her piece she did called, The FireBird. She achieved the unbelievable for her tribe and represents them well. She even received awards but that’s another story. A Native American girl was gifted with the ability to dance. At four years

dance is one that is constantly developing and pushing the boundaries of what makes dance more than just movement. However, it is questionable that it would be in this diverse state if it was not for a few revolutionary choreographers. Along with Martha Grahame is could be argued that Merce Cunningham was a pioneering, revolutionary choreographer who questioned given standards and procedures creating the diverse contemporary style that we know today. Revolutionary can be defined as something radically

As a classical dancer, the word "dance" has meant many different things to me. I grew up as an artist and started ballet at a late age. After I finished training I danced with multiple companies across the US. My experience on stage, and as a dancer has given me a unique view on dance and the dance community. Because of this I do not think a single definition of dance is appropriate. Instead, classical dance is better described as a combination of, art, technique, performance, and community. Before

The person that first came to mind for this assignment is Yann Trividic. He's a former Miami City Ballet principle dancer currently living in France as an Osteopath who loves surfing and occasionally plays the violin. To me, Yann is one of my favourite dance teachers, my Osteopath and an inspiration. He makes me want to be a better person and find personal satisfaction in whatever and everything I choose to do. As a dancer his ballet career is especially impressive. However, it's nothing in comparison

I only remember going to one powwow in my life. It was several years ago when I was just a child at the Cherokee National Holiday celebration. I have seen some other Native dancers at different events but never formal powwows. I have always wanted to see more, but I have never had an opportunity to see another one. So, when I saw I had an assignment where I was required to go to an American Indian event, I knew I wanted to see another powwow. I looked on the Oklahoma Tourism website and found the

Misty Copeland Do you know who the first African American principal dancer for the American Ballet Theatre is? She defies physics when you watch her on stage with awe-inspiring routines. Misty Copeland is unlike any other ballerina in the world. While dancing at The American Ballet Theatre, she had the lead role in Swan Lake, Romeo and Juliet, and The Firebird (McCann, 185). She is the face of Dannon, Estée Lauder, and Under Armour. Misty was on the cover of Time magazine as one of The Top Most Influential

My favorite dance was the contemporary routine with Derek, Jaja, and Alexia. The choreographer, Stacey Tookey, explained that the piece was about bravery in different forms: Derek played a veteran, Jaja was portraying a woman leaving an abusive relationship, and Alexia took on the role of a single mother. I really enjoyed the dance because of the story it was trying to convey; each dancer dove into character and brought out complex emotions through their movements. The dancers connected deeply with