The Oresteia Essay

In the Oresteia, revenge drives the characters to act. Although they call it justice, it is not. Aeschylus uses net imagery to symbolize faith and destiny. When Clytemnestra murders Agamemnon and Cassandra, the net imagery acts as a symbol of terrible fate. However, then fate reverse. Now, Orestes is caught in Apollo’s net and kills his own mother. Lastly, Athene changes the meaning of the net from one of chaos to that of order and justice. These uses of the net imagery help the reader focus on a crucial theme in the play: the superiority of a formal justice system to one based on the individual quest for revenge by progressively altering the nets meaning and its affect on those around it.

The problem with revenge is that it never ends. Instead, revenge leads to more revenge, and it is mentioned, towards the end of The Furies, as especially dangerous for civic order. The Furies represent a more primordial sense of justice, which Athena is intent on changing. Aeschylus is asserting that the cycle of violence and vindictive acts of “justice” is characteristic of a primitive society and that some other way must be found to resolve the conflict of moral questions. The establishment of the courts at the end of the trilogy directly concept of justice.

Through the three plays of The Oresteia, we are exposed to many opposing forces of power. Elements such as darkness, light, fate, patriarchy, and justice are intertwined to make up Aeschylus’ tragic tale, however all of these elements are directed by one central force: balance. The word balance itself suggests a state of equilibrium or a stable environment. Balance is often looked at as a scale; if one side of the scale is overpowering the other, then it creates a state of disorder, irregularity, and even chaos. Aeschylus meddles with the scales of balance but, in the end, reinforces the equipoise of power. I would argue that, not only does The Oresteia include balance as a critical underlying theme and is strategically used in determining the outcome of the play, but that the role of Athena is vital in creating this balance.

Even though Agamemnon made a success for his homecoming, what was waiting for him was her wife’s conspiracy with Aegisthus and his death (262-263). Namely, his nosmos was rather a failure and he also faced fate of his failed household. This Agamemnon’s gives a comparison with Odysseus future success for preserving his family and throne. Furthermore, Clytemnestra’s unfaithfulness and infidelity provides a foil to Penelope’s faithfulness and loyalty. Clytemnestra’s merciless and brutal actions, not sealing Agamemnon’s eyes while he was dying, adds contrasting characteristics between Odysseus and Agamemnon’s wives. Note that here, the story of successful vengeance for Agamemnon by Orestes gives a foil to Telemachus’ weakness and deficiency. Orestes here is depicted as a heroic example with murder of Aegistus after he comes of age (264). On the contrary to Orestes who saved his household and restored order in his family’s kingdom, Telemachus, as he came of age, couldn’t serve as protecting his household and repel his mother’s suitors in the absence of his father. In the light of comparing each heroic figures’ sons, the son of Achilles is also depicted as successful warrior with great strength and fame in the battlefield against Trojan, adding a foil to Telemachus’ unsuccessful position as a son (266).

The three themes present in these tales of creation are chaos, sin, and transformation. From the beginning we see how God brings order to chaos, not creation out of nothing. Chaos is the primordial state of existence in Greek myth, and hence, these stories have an immense effect on the way people think of the universe. Chaos has a pervasive presence not only in the physical world but also in the lives and actions of human beings as Lycaon’s case represents. Ovid described Chaos as “a huge agglomeration of upset”. By separating and transforming material object and living being, the creator god imposes rational order on unruly matter. Thus, transformation is another important theme in these tales of creation. This shows that the Greco-Roman community

Within The Eumenides by Aeschylus, one of the main themes is Justice. Justice is a virtue perfecting the will, which enables one to give others their due. Justice involves punishing actions that are wrong and defending what is right. According to the play, justice is essential for order in society, for everyone must be given their due. Without justice, there would be a lack of order and peace.

In the Ancient Greek tradition, it was demanded that a family member should seek retribution for the murder of his/her kin by killing the person responsible for the murder. The Greek justice system allowed retribution in the form of murder. Retribution was a measure of justice. Justice in the Eumenides moves from Clytemnestra being the executioner, to Orestes being judge, jury and executioner to finally trial by jury. In the Eumenides, the view of what is justice is no longer a culture of violence but a rule of law.

Order and disorder is a favorite theme of Shakespeare. In A Midsummer Night's Dream the apparently anarchic tendencies of the young lovers, of the mechanicals-as-actors, and of Puck are restrained by the "sharp Athenian law" and the law of the Palace Wood, by Theseus and Oberon, and their respective consorts. This tension within the world of the play is matched in its construction: in performance it can at times seem riotous and out of control, and yet the structure of the play shows a clear interest in symmetry and patterning.

One of the main themes of this Greek tragedy is that no one can change his or her fate that has been predetermined by the gods. One example of this is when Teiresias is

There is no doubt that the house of Atreus did not have an easy history. However, it made me question the true motives of the actions the characters in the Oresteia perform. Are they a form of justice or revenge? In the system that was practiced throughout the play, revenge drives the characters to act. And although they call it justice, it is not. Aeschylus uses net imagery that originates in the first play Agamemnon and plays a crucial role in the subject of faith and destiny. From Cassandra’s vision to Clytemnestra executing that

In today’s world, justice is defined simply as “The process or result of using laws to fairly judge and punish crimes and criminals.” However, Sophocles helps to show that justice, in the time of Electra, is constituted by anything that is deemed as “honorable.” At the beginning of the play, Orestes states, “When I went to the oracle of Apollo, to discover how best to take revenge for my father - revenge on his killers that is my right and due - here’s what Apollo said: ‘Place not your trust in an army’s sword or shield. Use cunning. Kill them yourself and justly so’” (4).

Following the victories of the Greeks invading the Persians at Marathon in 490 B.C. and Salamis in 480 B.C., Athens experienced a period of social optimism and period expansion during the first half of the fifth century B.C. The second half of the fifth century B.C. was also very successful in that Athenians tremendously developed culturally and intellectually. This was the era of Sophocles and a period where everything and anything seemed possible through man effort and reason. Sophocles wrote a trilogy of tragedies, which contained of 3 Theban plays. Oedipus Rex, the first play in the trilogy, was written during a period of political instability and plague. In Oedipus Rex by Sophocles, many themes such as the quest for identity, the nature of innocence and guilt, and the abuse of power are portrayed and are pivotal for the play to build up to the tragic ending.

Throughout time, the tragedy has been seen as the most emotionally pleasing form of drama, because of its ability to bring the viewer into the drama and feel for the characters, especially the tragic hero. This analysis of tragedy was formed by the Greek philosopher Aristotle, and also noted in his Poetics (guidelines to drama). As a playwright, Shakespeare used Aristotle’s guidelines to tragedy when writing Othello. The play that was created revolved around the tragic hero, Othello, whose tragic flaw transformed him from a nobleman, into a destructive creature, which would inevitably bring him to his downfall. This transformation follows an organic movement of the complex plot from the beginning, middle, to the end of the drama while

Nearly every Greek play has a clear central theme that is emphasized by both its characters and its structure. The everlasting Theban plays are no exception to this. Of the three Theban plays, Oedipus the King is the finest example of how a drama’s structure and characters heavily contribute to the development of the theme. In the prologue of Oedipus the King by Sophocles, the audience learns that the city-state of Thebes, ruled by a beloved man by the name of Oedipus, is in shambles. However, almost immediately after the audience discovers this, the supposed solution is revealed. In order to cure the city of Thebes, Oedipus must delve deeper into the mysterious death of the previous king, Laius, and punish whoever is responsible for his

The play termed the Oresteia is actually a trilogy that is built around the family of Agamemnon. Traditionally, one of the primary themes of the three plays is a movement from a traditional belief in revenge for wrongs to one of justice and the rule of law. The purpose of this paper is to discuss all three of the plays and look at how justice is conceived in each.