First came the war, and then the flappers.
Flappers were a new revolutionary type of woman that came about in the early 1920s. Daughters of women that fought for suffrage and equal rights, they had no interest in politics, and even less in the issue of ´social norms´. Girls from well of families drank alcohol, smoked cigarettes, and took part in ´petting parties´. They cut their hair in bobs and wore short skirts that went up above the knee, Which at the time was socially unacceptable. Many people were appalled by the ways of the flapper, some even taking the case of immodesty to court. But the flapper movement would not be stopped, and would pave the way for the modern woman.
Before the first World War, the Gibson Girl was all the rage. She
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Kallen). Similar legislation were enacted in New Jersey, South Carolina, Kansas, Iowa, Pennsylvania, and many other states across the U.S.. Police officers roamed the streets handing out tickets to young women who didn't abide by the laws, but the flappers did not yield, and while the laws were still in effect they were less inforce.
Breaking cloths laws were not the only morally black thing that flappers dealt in. flappers were young and reckless taking every chance to diverge from social norms. Flappers burbank alcohol and smoked cigarettes as casually and a man would, shown here in the excerpt from ´Me and My Flapper Daughter´, I was sure my girls had never experimented with a hip-pocket flask, flirted with other women's husbands, or smoked cigarettes. My wife entertained the same smug delusion, and was saying something like that out loud at the dinner table one day. And then she began to talk about other girls.
"They tell me that that Purvis girl has cigarette parties at her home," remarked my
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The young flappers could no longer afford their swing lifestyles and expensive makeup. So it was that the Roaring Twenties came to an end taking the lavish lifestyle with it.
Works Cited
Gourley, Catherine. “Chapter 1.” Flappers and the New American Woman: Perceptions of Women from 1918 through the 1920s, Twenty-First Century Books, Minneapolis, 2008.
Kallen, Stuart A., and Ben Hecht. “A Chance Encounter with a Flapper .” The Roaring Twenties, Greenhaven Press, San Diego, CA, 2002, pp. 141–145.
Kallen, Stuart A., and Frederick lewis Allen. “Flappers, Fashion, and a New Morality.”The Roaring Twenties, Greenhaven Press, San Diego, CA, 2002, pp. 128–141.
Rosenberg, Jennifer. “The New, Modern Woman: The Flapper.” ThoughtCo, ThoughtCo., 14 Feb. 2017, www.thoughtco.com/flappers-in-the-roaring-twenties-1779240. Accessed 11 Apr. 2017.
Rosenberg, Jennifer. “The New, Modern Woman: The Flapper.” ThoughtCo, ThoughtCo., 14 Feb. 2017, W. O. Saunders, "Me and My Flapper Daughters," The American Magazine 104 (Aug. 1927): 27., www.thoughtco.com/flappers-in-the-roaring-twenties-1779240. Accessed 11 Apr.
Throughout the ages women have been stricken with often male-made oppression in many forms on the long, difficult road to their eventual initiation into equal rights. Some aspects of women’s rights today were obtained by questionable means in the past. One such act of liberation by questionable means was the introduction of a class of women in the 1920s known as flappers. These flappers were the beginning of a new wave of sexually and intellectually liberated women. Women of this age wore short skirts and revealing clothing in addition to cutting their hair into bobs and smoking and drinking publicly. These women were also outspoken in many areas,
The flapper was the harbinger of a radical change in American culture. She was a product of social and political forces that assembled after the First World War. Modernization adjusted the American life. Flapper: A Madcap Story of Sex, Style, Celebrity, and the Women Who Made America Modern by Joshua Zeitz analyzes the people who created the image of the flapper. This work is an incorporation of narrative, statistics, and scholarly work that provide a distinct insight on the “New Woman.” Joshua Zeitz asserts the flapper was not a dramatic change from traditional American values but reflected the “modern” decade under mass media, celebrity, and consumerism.
Before flappers came along women were very modest. They were brought up to be "lady-like" and did not even date men unless their parents came along. They would wear clothes that were long and fancy and would cover their bodies head-to-toe, because they were not allowed to even show their ankles. Flappers went against all theses customs. Their irresponsible actions included: around kissing men, dancing on men provocatively, and just not caring about what the rules were. Women had limited freedom in the 1900s until the Flappers came along and changed many things for women through the way they dressed and acted, creating the "New Woman" or the 1920s.
The 1920s was a very special time for woman. Women started standing for up for themselves and making points to men that women can do just the same as them, and that women should be equal to men and have the same rights. That’s where flappers came from. Flappers were basically woman who stood out and did what they wanted. Women's rights were changed drastically because of flappers, now women are more equal to men. Flappers had a large impact on the American culture going from woman’s right, music and their fashion.
Many of the trends from the Roaring Twenties were set or seen at the parties thrown by the rich such as Gatsby did in the novel. Many of the trends were fashion, especially women, music, and dances. Fashion had changed a lot after and during the war. Dress making and custom styles were beginning to break out. New textures and patterns created the 1920’s style. For women many more options were now acceptable. A daring new style of skirts and dresses worn above the knee were popular. “1920's Dresses were lighter and brighter and shorter than ever before” (1920's Womens Fashion). Jewelry and many other embellishments were added now more than ever. “An increased sense of freedom was expressed in simple yet elegant designs, with carefully selected fabrics, and an intelligent use of color” (1920's Womens Fashion).
The flapper had an indisputable look. The long locks of Victorian women fell on the floors of beauty parlors as young women cut their hair to shoulder length. Hemlines of dresses rose fiercely to the knee. The cosmetics industry prospered as women used makeup in large numbers. Flappers constrained their chests and wore high heels. Many women celebrated the age of the flapper as a female “declaration of independence”. Experimentation with new looks, jobs, and lifestyles was incomparable with the woman in the Victorian Age. The flappers chose activities to please themselves, not a father or husband. But critics were quick to elucidate the shortcomings of “flapperism.” The political agenda grasped by the previous generation was largely ignored until the feminist revival of the 1960s. Many wondered if flappers were trying to express themselves or act like men. One thing was certain: Despite the political and social gains or losses, the flappers of the 1920s sure managed to have a good time.
The 1920’s, also known as the “Jazz Age” or the “Roaring Twenties”, was a time of decadence. The “Roaring Twenties” was common with constant variation in diplomatic, ethnic, and religious standards. F. Scott Fitzgerald uses The Great Gatsby as an account for the unstable time of egotistic pursuits of wealth and satisfaction.
A flapper’s daily routine is going to a jazz club or a burlesque and even speakeasies. In society flappers were being looked upon as defying their gender roles which were traditional, commitment to being religious, and commitment to hard work and also modesty. Flappers thought that they were making a difference because they were called “New Women”.
A flapper was a modern woman of the 1920’s with bobbed hair, short skirts, and dramatic make-up. (sparknotes.com) The flapper was also used to represent a new type of young woman. It represented a woman that was bold, rebellious, and energetic. Only a small percentage of American women were flappers. The image of the flapper had a huge impact on the rest of the nation’s fashion and behavior. Most women began to cut their hair short. It was called bobbing. Many parents wouldn’t allow it. To the older generation, it seemed taboo to have short hair. Some of the daughters of these people felt old-fashioned for not having their hair cut short. (Hakim, 42) Before the twenties, it was rare for a woman’s ankle to be glimpsed upon beneath long skirts. Yet, during the ’20’s, the ankles were highly visible as the hemlines for women’s skirts rapidly went up and up, as
The Roaring Twenties were a time of leisure and parties. The media and events surrounding this time period greatly impacted the carefree, extravagant lifestyle. This era was one of the most dramatic and energetic times in American history. To many, the symbols of the roaring Twenties were F. Scott Fitzgerald and his wife, due to their tales of the young and the wealthy (Hanson 96). The Roaring Twenties influenced many literary works, throughout the 1920s such as F. Scott Fitzgerald’s The Great Gatsby and This Side of Paradise.
Flapper by Joshua Zeitz is a book that tells an epic story about the American women during the time of the 1920’s. For a better understanding, a flapper would typically be a young girl who blurred the gender roles by taking on a more masculine lifestyle. They wore their hair short, drank and smoked frequently, and explored their sexuality. With this behavior, it didn’t destroy their femininity; it just simply provided the society’s perception of what a woman should and should not be.
Frederick Lewis Allen, in his famous chronicle of the 1920s Only Yesterday, contended that women’s “growing independence” had accelerated a “revolution in manners and morals” in American society (95). The 1920s did bring significant changes to the lives of American women. World War I, industrialization, suffrage, urbanization, and birth control increased women’s economic, political, and sexual freedom. However, with these advances came pressure to conform to powerful but contradictory archetypes. Women were expected to be both flapper and wife, sex object and mother. Furthermore, Hollywood and the emerging “science” of advertising increasingly tied conceptions of femininity to
War is often followed by change; World War I is no exception. World War I is often labeled the cause for the rise of a feminine revolution-“the flapper”. Before the term “flapper” began to describe the “young independently-minded woman of the early Twenties” (Mowry 173), the definition that is most prominent today, it had a 300-year long history. The young woman of the 1920’s was new and rebellious. In her appearance and demeanor, she broke the social constructs of her society.
The ways of a flapper spread through the United States in the 1920s and changed young girls into a new generation as modern woman declaring a new freedom. The new emancipated women demanded to be recognized as equal to men. The flappers adopted the masculine look and started getting different haircuts and wearing very different clothes. Flappers were known for wearing an excessive amount of makeup, drinking and smoking, dancing, voting, and being very promiscuous. “From these liberating circumstances emerged a caricature: the flapper, symbol of the modern woman” (Info Base).
Louise Brooks, a silent movie star, was an idol of the flappers, and their prototype for offending older generations and pushing the bounds of acceptable female behavior. She led an exuberant social life, hanging in a social circle that included George Gershwin, F. Scott Fitzgerald, and other authors such as Benchley, Mencken, and Anita Loos. Louise Brooks epitomized the flapper culture and could be described as “flamboyant”, or “ambivalent”, yet always with an uneasy sense of pessimistic depression underneath it all.