The Death Of Beethoven And His Music

No other composer or musical artist has made as big of an impact on music as Ludwig Van Beethoven. He influenced many other composers, and made some of the most beautiful pieces that are still played today. It is truly amazing that he was able to master his craft and become questionably the greatest composer that has ever lived, despite having a condition that would seem to make composing music impossible.

When we talk about Beethoven people often recall him as one that was great. When you think of Beethoven you can consider him a transitional composer and that is mainly because he is the crucial transitional figure linking the Classical and Romantic eras of musical history. Beethoven's innovation was the ability to briskly establish imperishability in bringing together different keys and unexpected notes to join them. Beethoven's music was correspondent to the agreement of the music in literature. Most of his music focused on life drama of one or more individuals through hard life circumstances. Beethoven’s role as a transitional composer between the classical and romantic periods took

Beethoven is perhaps the most famous musician of all time. His influence on later composers was extremely huge, to the extent where many composers were intimidated by his music. Ludwig van Beethoven was born in 1770 into a family of musicians. His father and grandfather were both musicians at the court of Elector in the German town of Bonn. His grandfather was very respected, but his dad not so much given that he was an alcoholic. At a young age, Beethoven was put in charge of his family’s finances and started a job at the court. He composed music and helped look after the instrumentation. Around the same time, he began to write music. In 1790, an important visitor passed through Bonn: this was Franz Joseph Haydn. He was on his way to London for a visit when he stopped to meet Beethoven and agreed to take him on as a student when he came back from London to Vienna. In 1792, Beethoven moved to Vienna to study with Hayden. Apparently, it did not go as planned. Hayden was old fashion and a little overbearing, while Beethoven was rebellious and headstrong. Beethoven found support among the rich arts who lived in Vienna. Prince Lichnowsky gave him board and lodging at his place for in return, Beethoven would compose music and preform at evening parties.

Ever since his father began teaching him as a child to play the violin and clavier, any keyboard instrument such as the harpsichord, Ludwig van Beethoven has been amongst the most renowned and influential composers of music. Despite the harsh punishments and mistreatment Beethoven suffered through while practicing with his father, he still managed to become a “prodigy” at a rather young age, having his first public recital at around seven years old. After his first recital role music played in his continued to grow, and soon after dropping out of school to pursue music “full time” he published his first composition.

Beethoven began to take an interest in music from an early age. Johann, his father taught him day and night playing music. Unfortunately, Johann had a problem with alcohol and become alcoholic. Johann, who noticed the talent of his son and realized how he was good. Viewing it as Beethoven

Beethoven’s works are classified into three periods. Beethoven’s first period took place between the 1780s to approximately 1800. The works produced during this period show the Beethoven was just beginning his musical journey. The pieces created are similar to ones created by Haydn, Mozart, Bach, and Neefe. Christian Neefe was one of Beethoven’s instructors from Bonn. Despite the fact that Beethoven modeled his early works after others they still showed his personality in the way they were written and in their robust melodies.

From the time Ludwig van Beethoven was a young child, everyone around him could see that he was extremely talented. His name is known all around the world and when people think classical music, Beethoven is one of the first names that pop up. Long after his death in 1827, his music is still listened to. Soon to be mothers are sometimes told to allow the baby to listen to classical music, especially by Beethoven, to help with brain development. College and high school students are told we can benefit by listening to Beethoven when studying. Even in some modern songs, you can hear Beethoven’s legacy living on. Beethoven was an excellent composer and wrote pieces that defied the norm of the Romantic Era. Many artists today may not realize that

Early eighteenth century marked the beginning of the middle period, which was said to be the most productive period out of his three compositional periods as some of his most magnificent works were produced during this time (Lockwood, 194). In this paper, I will examine the heroic style - why it came about, what are some characteristics of ‘heroic’ music and through the analysis of a ‘product of the times’ (Taruskin) , compare the differences between the music of the heroic style and that of before. The middle period is also known as the heroic period from 1803 – 1812 is after the Viennese period and before the Late

The early period of Beethoven’s composition extends from approximately 1794 to 1800. In this period, Beethoven seen as copying Joseph Haydn and Muzio Clementi, at the same time exploring his own style of music. Some important pieces from this period are the first and second symphonies, the first six string quartets, the first two piano concertos, and about a dozen piano sonatas.

Beethoven’s works are typically divided into three different periods. During the first period, to 1802, Beethoven incorporated the musical language of his time while developing his own unique compositional voice. During this time, he wrote six String quartets, the first ten piano sonatas, the first three piano concertos and the first two symphonies. The second period last until about 1816 and showcases his individualism more than ever before. During this period, he wrote Symphonies Nos. 3-8, the last two piano concertos, the Violin Concerto, the String Quartets Opp. 59, 74 and 95, and the Piano Sonatas through Op. 90. The third period is recognized as

The early piano sonatas of Beethoven deserve special mention. Although his first published examples of concertos and trios and the first two symphonies are beneath the masterpieces of Mozart and Haydn, the piano sonatas bear an unmistakably Beethovian stamp: grandiose in scope and length, and innovative in their range of expression. The sonatas were able to move expression from terrible rage to peals of laughter to deep depression so suddenly. Capturing this unpredictable style in his music, a new freedom of expression which broke the bounds of Classical ideals, was to position Beethoven as a disturbed man in the minds of some of his contemporaries. Furthermore, he was to be seen as the father of Romanticism and the single most important innovator of music in the minds of those after him. (Bookspan 27).

This is also the time when the middle period starts. From now up until 1813, Beethoven develops and enhances the high classical style into a more dynamic and individualistic style. It is now that he writes symphonies Nr. 3 - 8, piano consert Nr. 5 and a lot of chamber music. But as he learns to control his craft and develop the music into new undiscovered grounds, he also suffers from reminders of the pains of real life. He has early in life discovered that his hearing wasn't what it should be, and the disorder gets worse as time goes by. It gets to the point where Beethoven is thinking of ending his life as he sees no way out of his despair. That fact is documented in the letter he wrote to his brothers in 1802, the so called . This hearing disorder seems to have affected his social life to a great extent. He became difficult to handle in social interactions and could suddenly burst into outbreaks of anger and show bad temper where he usually insulted someone. If that is the reason for his troubles with women, or if their is something traumatic hidden in his childhood, I don't know, but the fact is that he never got involved with a woman in a normal relation. Beethoven seems to have been attracted to women he couldn't get, or at least was hard to get. An example is Antoine Brentano, with whom he had a relationship, but who broke up with him to marry a friend. It is

The early period works were influenced by Haydn and Mozart. The middle period is when he developed his own individualistic style of music and it was also described as heroic because he produced pieces like the Third symphony and the opera Fidelio. And the late period is when his music began to evolve into difficult and complex type of music and included styles of Bach and Handel. He is most famous for his Fifth symphony in C minor, Ode to Joy from the Ninth symphony and his opera Fidelio. He was very contemporary with his style and structure of music, often using various instruments that have been never used before. At the age of 29, he started to experience signs of deafness but he produced some of the greatest works like the Missa solemnis, the Ninth Symphony when he was totally

In order to explore the career of Ludwig van Beethoven, and his ‘bridging the gap’ between the classical and romantic eras of music, this essay will examine the style of music and its features, most commonly associated with the Classical era (1750-1820), and those of the Romantic era (1815-1820) . It will look at some musical examples from Beethoven’s work, how they fit into each of the eras, and also how they transition from one era to the next. Beethoven’s career spans both eras mentioned above, from his public debut in Vienna in 1795 to his death in 1827. This essay will strive to explore the reasons why Beethoven is called a transitional composer.

Ludwig Van Beethoven was one of the greatest musical composers of his time. Starting very young in his studies of music, he held many important positions they would develop him into the composer he became. Born in Bonn, Germany to a singer, he held his first position at the church. He later moved to Vienna where his composed several pieces, and even an opera. He created a new style of music, cyclic form.