Science-Fiction And Fiction : Pessimism In Science Fiction

The third model of substance use disorders presented is the disease of the human spirit. This model suggests that as we enter the burdens and trials of life and become ungrounded with pain or voids in our lives we allow ourselves to feel pity and open ourselves up to our inwardly sinful nature. “It is at this point that some recoil in horror and become spiritual narcissists: self-centered, unwilling to see any reason to deny the “self” any desire or pleasure” (Doweiko, 2012, p. 357). This model believes that all individuals “all start out with hope, faith and fortitude” but when exposed to the ills of the world some “turn to chemicals to fill the perceived void within or to ease their pain” (Doweiko, 2012, p. 361).

Dr. Gabor Mate, a Hungarian born Canadian physician, who is also a neurologist, psychiatrist, and psychologist, but who specializes in the study and treatment of addiction, reveals revolutionary evidence pertaining to addiction. In Vancouver’s Downtown Eastside, Dr. Mate worked with patients suffering chronic drug addiction for 12 years. With 20 years of experience as a family practitioner, Dr. Mate is a renowned speaker and teacher throughout North America; sharing his extensive knowledge with diverse audiences including health care professionals and educators (Mate, About Dr. Mate, 2016). The Realm of Hungry Ghosts, Dr. Mate’s most recent best-selling book, illuminates the origins and causes of addiction. As Co-founder of Compassion for Addiction (a non-profit organization), Dr. Gabor Mate encourages a greater understanding; “addiction is the attempt of affected human beings to escape a profound discomfort with themselves and their world” (Mate, Compassion4Addiction, 2015). Drawing on cutting-edge science, Dr. Mate presents the world with a shocking discovery: “The source of addiction is not to be found in genes, but in the early childhood environment.” Therefore, Dr. Mate simply “calls for a more compassionate approach toward the addict.” (Mate, 2016) As cutting-edge science concludes addiction to be a mental health issue, rather than criminal behavior, the American legal system demonstrates a devastating disservice to its own society.

In her introduction, she explains to the reader that “all science fiction is nothing but a metaphorical lie” and “The future, in fiction, is a metaphor.” (Le

Individually, we create a metaphorical puzzle as we reflect on our life. These puzzle pieces represent all of the small-scale decisions we’ve made. Inside of those decisions, also consists of other people and how they influenced our upbringings. When this puzzle is put together, all of these decisions create one large picture. Specifically, Wes Moore’s “puzzle” obtains unfinished than other people, these pieces may not fit particularly well with other pieces, and they may never will. The reader may never perceive why Wes made any of the poor decisions he has made in his lifetime, nevertheless, there’s one large section of the puzzle that holds together–this would be Wes Moore’s influence from drug abuse. The idea of drug abuse continues to be frowned upon by other people. However, what most people may not understand is that there’s an addiction that comes with it, not an addiction to the drugs specifically, though an addiction to the lifestyle that came with it.

Popular fictions texts expressing views of the future educate audiences about current issues and the dystopias that develop from them. Texts such as the film ‘Gattaca’, directed by Andrew Niccol and novel ‘Fahrenheit 451’ by Ray Bradbury explore futuristic societies and the implications that become of their innovation. Although entertaining, texts such as these are didactic and must be taken seriously, as they communicate messages to audiences regarding prevalent concerns and possible futures based on society’s choices.

He assumes that drug addiction originated by younger years adversity in major cases; like many women who are addicted are victims of sexual assault in childhood years. Similar, he tells that males suffered “series of abandonment or severe physical and psychological abuse” (Maté 274) in childhood memory would easily be involved in addiction. According to Mate, drug addicts are usually in a state of unawareness; they can self-harm without feeling pain (274). Maté’s patient, Carl, thirty-six year-old native, angrily hurt himself with a knife as punishment for using cocaine (274). However, people misunderstand that addiction will not happen in families that raise children with a “secure nurturing home” (Maté 275). He argues that it still exists in those secure homes, even though they do not recognize it. In brief, Maté describes the mental factors such as stress, anxiety, and depression which are saddled “from family problem, or from outside circumstance” (274); this pressures can emotionally affect to the process of “endorphin-liberating interaction with their children” (Maté 275). He thinks children would rely on opiates to comfort their deepest emotions; it would be a best solution to escape their lonely world. For that reason, Maté confirms addicts usually blame themselves for “stupid decision” (Maté 275) after being suffered of drug starvation. In the last paragraph, Maté concludes his essay by stating “that is the great wound of all” (275),

The history of addiction goes back centuries, and unfortunately, there is still a long way to go for people to realize the effects of chemical substances do more harm than good. The difference between drug use and abuse relies heavily on a person’s dependence on the substance. The line between the differences is often very fine. Depending on other factors involved, such as morals, values, environment, and genetic predisposition, the line will most likely be crossed without regard to the consequences until treatment and recovery are the only options left. This is essay compares two theoretical explanations

The definition provided above is accessible and easy to understand; however, it initiates false beliefs among individuals because it fails to acknowledge that drug addiction is a mental health problem. Moreover, when words such as, “dependence”, “control” and “craving” are used to define drug addiction, it leaves an impression to the reader that addicts are indeed “people who cannot control their impulses.” Consequently, when we fail to recognize that drug addiction is a mental health problem, our focus is diverted towards the physical aspect of drug addiction. This could cause the belief among individuals that drugs alone cause the addiction. It is essential to acknowledge that there are chemical hooks in drugs; however, individuals need to understand that drugs alone do not cause the addiction. We need to identify and distinguish the “root cause” of addiction and ask ourselves: what caused the individual to take the drug in the first place?

The movie, Requiem for a Dream (Selby & Mansell, 2000) exposes the multiple faces of addiction. Addiction can change a person’s identity and therefore, impacts each person differently. This movie explores the life of four addicts who push the boundaries of their own lives leaving the viewer to wonder, how far will they go to use drugs? The focus of this paper is on what addiction looks like for the character, Harry Goldfarb.

In the stories,”The Pedestrian” by Ray Bradbury and “Long Way Home” by Charles Waugh, predict what the future will be like. Many authors of science fiction create stories that represent their opinion on how the future will turn out. Some authors may make the future seem miserable to live in and some make the future a desireable place to live in. “The Pedestrian” presents a society where people are not allowed to make decisions for themselves and technology takes over their lives while ,”Long Way Home” presents a story of a father and son with a relationship that represents a quote, “Home is where the heart is.” It is evident that the future will most likely be like the story,”The Pedestrian.”

Having spent one’s entire childhood through war and bombings can inspire many ideas, both positive and negative. From the fear of a nuclear bomb to the proud feeling of witnessing the first American man on the moon, Ray Bradbury took his experiences during World War II and the International Space Race and transformed them into literary pieces, such as “There Will Come Soft Rains”, “The Sound of Thunder”, and “The Pedestrian”. In these short stories, Bradbury includes elements of his own life into the plot, creating a message of caution to the readers through his riveting genre of dystopia. Some topics he stresses include time, technology, and its possible threats to human interaction. Through Bradbury’s unique style, he encapsulates the major issue of the rapid development in society and how it affects people in a social aspect. As new technology and science is innovated, there are many people who debate whether or not it can have harmful side effects to mankind. Among these three short stories, Bradbury uses the stylistic techniques of diction, imagery, and figurative language to convey that as society progresses through time, people lose their sense of humanity.

Imagine this being your first time on a plane. You’re already nervous and uncomfortable. You hear babies crying, people having small arguments, and the last thing you need to know is the Pilot is drunk and high off of cocaine. Imagine not knowing that the pilot of the plane could seriously put your life in danger due to his selfishness. Would you believe that it was the pilots fault or a technical issue? All of these things will prance your mind as you glide through the air with a closed conscious. Addiction can get the best of people even when they mean good.

The science-fiction film genre serves as an excellent medium for examining shifting power structures, social paranoia and Cold War politics during the 1950s. A number of films released during this period, including: Invasion of the Body Snatchers (1956), The Day the Earth Stood Still (1951), Them (1954) and Attack of the 50ft Woman (1958), are particularly symptomatic of the social and political atmosphere of the time. These films navigate not only narrative based issues such as the threat of aliens and science experiments gone wrong; but also wider issues of the time, such as the Cold War, changes in the US film industry, urbanisation, politics, the growing power of women and most significantly, social concern about nuclear energy.

Throughout this semester our literary material dealt with themes of technology, modernization, the imponderable bloom, human nature, and truth to name a few of the most overarching. Each text has woven an impression of the possible near future for humanity if the patterns we are creating continue at an exponential rate. Patterns such as consumerism, neglecting unpleasurable emotions, using drugs, and controlling the environment for our short term benefits will write an unsavory and inevitable future. Science Fiction often reflects on society by exaggerating their negative characteristics and advancements to seem far-out, but often it is ironic how close many aspects of the fiction are a direct reflection of the present condition. Even now, the possibilities of utopias and dystopias forming are not so out of reach. The ability of our culture to control an entire population with a self-satisfied culture of vices outfitted with technology is less and less science fiction as the years pass.

The good thing about films is that we not only have the opportunity to choose from a wide selection of different genres, but also compare them and understand their purpose in the world. The Horror genre has used the basic principles throughout time, and as a result, films of this type have not proven to be as timeless as another genre: Science Fiction/Fantasy. At first, these two genres might at times seem similar as they have at several occasions been blended together, but their basic, common theme serves different meanings about humans. I shall compare and contrast these two genres and focus on both classic films and modern films. From the Horror genre perspective I shall discuss Psycho (1960) and The Mist (2007), while in the Science Fiction/Fantasy genre I will examine 2001: A Space Odyssey (1968), Pan’s Labyrinth (2006), and Serenity (2005). Although the Science Fiction/Fantasy genre and the Horror Genre share some similarities, the differences lie in their focus on human progress.