“I Stand Here Ironing” by Tillie Olsen is a depiction of a mother-daughter relationship that lacks involvement and warmth. The whole story composed of the mother’s memory of her relationship with her daughter, Emily. The memory was a painful one comprised mostly of the way the mother was much less able to care for Emily. The forsaken of Emily demonstrates the importance of physical and emotional support.
The mother was an invisible parent for Emily. Her reason for not being there for Emily was because she was a “young and distracted mother” (Olsen 262). The real reason she was inattentive was because she was inexperienced. She lacks the understanding of how essential it is to be there physically for Emily. Emily needed her mother for
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Emotional support also plays an important role of Emily’s well being. The idea mother suppose to care, support, and value their children needs. Emily needed this nourishment. She needed her mother to smile at her in order for her to feel a connection with the person that she supposed to be able to depend on. Emily’s mother did not know how to communicate with Emily. The mother-daughter relationship has an element of coldness, it lacks warmth. “There were years she did not want me to touch her” (Olsen 262). Emily’s mother inability to interact with her, leaves Emily unloved and in return, she shall not express any love toward her mother. Emily’s mother feels her “wisdom came too late” (Olsen 262). With this thought in mind, Emily’s mother shall never show communication or love to Emily, therefore the relationship shall continue to be doomed.
Emily’s mother felt like she was forced to neglect Emily. Her excuse was that the time was hard, it was the age “of depression, of war, of fear” (Olsen 262). Although things were not under Emily’s mother’s control, she takes responsibility anyway. In society, parents are thought to provide physical and emotional support so that their children can advance through life with prosperity. This paper is the property of Virtual Essays .com Copyright ©
The narrator seems unable to establish direct contact with Emily, either in the recovery center or their home life. The narrator notes how Emily grew slowly more distant and emotionally unresponsive. Emily returned home frail, distant, and rigid, with little appetite. Each time Emily returned, she was forced to reintegrate into the changing fabric of the household. Clearly, Emily and the narrator have been absent from each other’s lives during significant portions of Emily’s development. After so much absence, the narrator intensifies her attempts to show Emily affection, but these attempts are rebuffed, coming too late to prevent Emily’s withdrawal from her family and the world. Although Emily is now at home with the narrator, the sense of absence continues even in the present moment of the story. Emily, the narrator’s central
A reason that is presented as to why she has so little family other than her father is because he once had a falling out with some other relatives in Alabama, so the two sides refuse to come together. Even after Mr. Grierson dies, the Alabama kin “had not even been represented at the funeral.” (Act III) This once again showcases the loneliness of Miss Emily because she did not even have her own family to comfort her in a dark time. By being all alone, her unresolved feelings could have contributed to the abandonment issues. From the suggested abandonment issues, the reader can start to see that possibility of Emily taking matters in her own hand if given the chance. Besides just foreshadowing, her family history can also be argued to be the foundation of Miss Emily’s instability with her loneliness she needs to resolve being a result of their actions.
Emily’s upbringing is plagued with difficulties. She is the first-born of a young mother and the eldest of five brothers and sisters. As a baby, she is
When Emily was ill, her mother believed that the best place to get care for her child was in a special home. This contradicted the real needs Emily had. Soon after the last child was born, Emily became very ill with red measles, and once again the mother had to send her away to a convalescent home in the country where she could be cared for until she was well enough to return home. The mother thought to herself, "She can have the kind of food and care you can't manage for her, and you'll be free to concentrate on the new baby" (602). For the first six weeks, Emily was not allowed any visitors. The child sat in this strange home for six weeks not knowing anyone at all until her mother could visit her every other Sunday. When her mother did visit, there was an invisible wall "not To Be Contaminated by Parental Germs or Physical Affection" (602). The wall represents the distance between Emily and her mother, which has always been and continues. Emily had told her mother one day "They don't like you to love anybody here" (602). She wanted to love and to be loved so badly. It didn't seem that there was anywhere she could go to
While James Baldwin’s short story “Sonny’s Blues” depicts the connection between two brothers, Tillie Olsen’s short story “I Stand Here Ironing” represents the bond between a mother and her daughter. Both Baldwin and Olsen focus on family relationships and how emotional support vs neglect have an effect on family members. Also, each author conveys a message of finding self-identity even amidst adversity, while including the symbolism of everyday objects. Furthermore, Baldwin compares light and darkness throughout his story, and Olsen has the mother scrutinize her actions in an interior monologue.
Although the mother may have been trying to help Emily, the mother should have tried to take care of Emily better instead of sending her off as the only solution. One of the other effects of her mother’s unavoidable neglect is Emily’s failure to be on the same pace as her peers in class. She is at a state of illiteracy that is uncommon for her age at the time which may be a result from staying at home instead of going to class to take care of the household. In addition to the mother’s neglect, having a sister who was the ideal poster child may have caused self confidence problems as she grew older being the odd one out in the family. Emily’s mother should have made sure she was able to take care of Emily first before deciding to give birth to another child. What the mother thought would be the best option for Emily had a more clear negative effect on Emily after she grew older still not having any clear direction in her life.
Emily's father suppressed all of her inner desires. He kept her down to the point that she was not allowed to grow and change with the things around her. When “garages and cotton gins had encroached and obliterated…only Miss Emily's house was left, lifting its stubborn and coquettish decay above the cotton wagons and the gasoline pumps” (Rose 217). Even when he died, she was still unable to get accustom to the changes around her. The traditions that her and her father continued to participate in even when others stopped, were also a way that her father kept her under his thumb. The people of the town helped in
This reality sends panic and fear through her because now she has nowhere to turn and no one to tell her what to do, no one to command her life. Not only is she stricken with the loss of her father but now she is cut off to the outside world, because her only link has passed on. Emily immediately goes into a state of denial; to her, her father could not be dead, he was all that she had and she would not let him go.
The treatment by Emily’s father affected her as an adult in many ways. I feel that her father actions caused her to isolate herself from society and not able to adapt to change. In the story, “A Rose for Emily”, Emily lived with her father and had little interactions with anyone else. Emily’s father was very controlling over her life by not allowing her to do things on her own, which resulted in Emily being reserved from society. Her father kept her shielded, and believed that no young man was good enough for his daughter. The narrator stated, “We remembered all the young men her father had driven away, and we knew that with nothing left, she would have to cling to that which had robbed her, as people will” (Faulkner, 1931, 84). After his death
"You think because I am her mother I have a key, or that in some way you could use me as a key? She has lived for nineteen years. Over and over, we are told of the limitations on choice--"it was the only way"; "They persuaded me" and verbs of necessity recur for descriptions of both the mother's and Emily's behavior. " In such statements as "my wisdom ! came too late," the story verges on becoming an analysis of parental guilt. With the narrator, we construct an image of the mother's own development: her difficulties as a young mother alone with her daughter and barely surviving during the early years of the depression; her painful months of enforced separation from her daughter; her gradual and partial relaxation in response to a new husband and a new family as more children follow; her increasingly complex anxieties about her first child; and finally her sense of family balance which surrounds but does not quite include the early memories of herself and Emily in the grips of survival needs. In doing so she has neither trivialized nor romanticized the experience of motherhood; she has indicated the wealth of experience yet to be explored in the story’s possibilities of experiences, like motherhood, which have rarely been granted serious literary consideration. Rather she is searching for
Faulkner states that Miss Emily would tell the other people that “her father was not dead. She did that for three days, with the ministers calling on her, and the doctors, trying to persuade her to let them dispose of the body. Just as they were about to resort to law and force, she broke down, and they buried her father quickly,'' (Faulkner 804). This part of the story foreshadows another incident where Emily again refuses to let go of the deceased. Instead of Emily not being able to let go of her father, this time she couldn't let go of her close friend, Homer. The hint of Emily not being able to let go of her father in the beginning serves as an indication for the reader that Miss Emily is very isolated and will do anything to prevent that. Emily’s suspicious actions causes the reader to anticipate certain happenings and wonder what will happen next.
Emily is a very dependant woman who can’t take care of herself. She is so used to having her father around and to tend to her. At age thirty Emily is
Emily is very vulnerable mostly because of her appearance. "She tormented herself enough about not looking like the others, there was enough of the unsureness, the having to be conscious of works before you speak, the constant caring-what are they thinking of me? Without having it all magnified by the merciless physical drivers" (Olson 603). Emily is a skinny, fragile, and sick child, and in the outer world, other kids without values would point her out. Emily is always insecure about what she says, or does in front of others. The insecurity of not being able to be her own person is always on her mind.
Poverty and loneliness play a role in the life of the narrator and as a result, she ponders about it and how it has affected her and her daughter. “1 was nineteen. It was the pre-relief, pre-WPA world of the depression,” (293). She was struggling financially, and because of the Great Depression, she was struggling to find a job, especially as a woman. And on top of that, she has a child she hardly has time to take care of because of her quest for a job and money to support herself and her daughter. Not only is she financially struggling, “for I worked or looked for work and for Emily's father, who "could no longer endure" (he wrote in his good-bye note) "sharing want with us."”, her husband abandoned her because of her financial situation (292). What else is more tormenting than thinking about how much of a financial hell hole one is in and that the only partner they can depend on has given up all hope?
The narrator was not a very maternally loving mother to Emily. "The old man living in the back once said in his gentle way: `You should smile at Emily more when you look at her'" (200). Unlike the mom's portrayed in the 1950's, the narrator could not