Compare and Contrast Essay
Compare and Contrast works of art that represent the 15th Century Early Renaissance art and 16th Century Northern European art. The artists Masaccio and Grunewald will be used to illustrate the differences and similarities in the styles of art. Their works of art are chosen for their interpretation of the style that was representative during these eras. Early Renaissance artists used mathematical one-point linear perspective to create illusions of depth and depicted the human body as realistic and natural. Northern European artist used medieval mysticism and intense emotional spirituality and they used illustrative human figures rather than realistic depictions. By understanding the corresponding and distinctions between these two works of art we can understand why they created their artwork in the respective style to their era.
The first work of art is a fresco titled “Trinity with the Virgin Mary, John the Evangelist, and the Donors” (Holy Trinity) by artist Masaccio during the Early Renaissance c. 1425-
1427/1428. The fresco is located on the wall of the Church of Santa Maria Novella in Florence,
Italy. Brunelleschi’s experiments on linear perspective and architecture had an influence on
Masaccio’s art.
The second work of art is an oil painting on wood panel titled “Isenheim Altarpiece” by artist Grunewald in c. 1510-1515. It was located in the chapel of the St. Anthony abbey hospital near Colmar, Germany. The hospital treated patients with
Gorgeously. Striking. Grace. The golden painting is taking up by the two most iconic symbols of Christianity: Jesus Christ and Virgin Mary. Christ gently placing a golden grown on the inclined head of the Virgin Mary, who is sitting on the right side of Jesus; her hands crossed over her chest symbolist of humble, reverent and loyalty. This position was purposely set by Fabriano. In Christianity art, position is significant in dividing between good manners and malefactors. For instance, in The Last Judgment by Giotto di Bondone in 1305, heaven was placed on right of Christ, and hell was on the left. This ideology was clearly stated in the bible “...before him shall be gathered all nations:
One of the most celebrated paintings in the Robert Lehman Collection, this jewel-like representation of the Annunciation is set in an architectural interior constructed according to a rigorous system of one-point perspective. The panel was almost certainly commissioned as a private devotional image, not as part of a larger structure. While the identity of the patron is not known, the work was in the famed Barberini collection in Rome in the seventeenth century.
Two main differences immediately apparent between Raphael’s School of Athens and Leonardo’s Adoration of the Magi are the compositions of the large figure groups within each painting and the state of completion. In the forty foot wide fresco of School of Athens, the figures are organized in a mathematically constructed arrangement. The heads of the figure group in the background create a central horizontal line across the fresco. The two smaller figure groups in the foreground on the left and right are arranged with slightly less linear organization however when compared to the figure group of Leonardo’s Adoration of the Magi
This paper will compare the themes found in the paintings "Madonna and Child with St. John the Baptist and an Angel" by Domenico di Bartolomeo Ubaldini (Puligo) and "Madonna Enthroned" by Giotto. Both paintings deal with fables from the Christian faith but were executed during different periods in art. The Giotto painting was created around 1310 and the Puglio painting was executed between 1518 1520. Here, these two paintings have similar themes both at the extreme beginnings and endings of the Italian Renaissance, and as such they serve to present an exceptional example of the developments in art that occurred within that time. This paper shall compare
In this paper, I will describe, compare, and contrast two paintings of the same name, The Annunciation by Gerard David and Joos van Cleve. Beginning with Joos van Cleve’s work, we see the virgin Mary kneeling down before an opened book. An illuminated dove with its wings spread is suspended above Mary. An angel is standing beside her, making a gesture. Both figures are inside an ornately decorated, well lit bedroom.
For My Museum Essay, I have chosen Rogier van der Weyden’s “St. Luke drawing the Virgin” (c. 1435-40). First of all, this painting is an extraordinarily beautiful piece of art, with both meticulous details and true to life emotional state of the figures portrayed. And it intrigued me even more when I found out that there is a very compositionally similar painting by Jan Van Eyck (“Madonna with Chancellor Rolin”).
The first work is the center panel of the Merode Altarpiece by Robert Campin in 1425. It is titled The Annunciation and is a Flemish painting. The second work is a fresco by Fra Angelico entitled Annunciation. It was made in 1440 in Florence, Italy. The Merode Altarpiece is considered early fifteenth century Flemish art while Annunciation is considered Early Renaissance art. The subject of both of these paintings is the
The Early vs. the High Renaissance - I've decided to go with Piero Della - Francesca Battista Sforza and Frederico Da Montefeltro vs. Raphael Agnelo Doni and Maddalena Strozzi. Paintings. Despite their many differences, there are also some similarities between the portraits made by these two artists. Discussing pg. 620 (20-31) Piero Della Francesca Battista Sforza and his wife and Frederico Da Montefeltro, an Italian artist during the Early Renaissance, Fifteenth Century in Uffizi, Florence. The artist showed the small panels that resembles Flemish painting in their detail luminosity, their record of surface and texture, and their vast landscapes. as mentioned on page (620) the reason why they are turned side ways is due to male in the portrait
The Holy Trinity by Masaccio was a painting done in approximately 1428. It is a
Art in the Medieval Times was dreary and bland. Many works of art were solely about God or holy figures. The most obvious change from the Renaissance to Medieval Times was the arts, according to Document A and also that “One begins to know the names of the artists ... feel stronger emotions in the subjects”. This shows that Renaissance art not only changed in style, in changed in how it made the viewer feel when seeing the art. Similarly, in Document A, Renaissance art is described as “new artistic styles would echo the broader movements and interests of the new age.…”. As compared to Medieval Times, the style of art became something similar to the time that people could relate to. In the Medieval Times, art was just meant to extol God’s many feats. People who viewed the painting were supposed to put that style of art on a pedestal. Medieval art was supposed to be worshipped, not so much understood. The individual in the Medieval Times was supposed to take away from the painting that the only thing that mattered in their life was the Roman Catholic church and God already had a plan for their lives. But in comparison, Renaissance art was supposed to empower and help people of the time to understand themselves and the fact that they can change their own lives.
Art during the Italian Renaissance differed from art during the Middle Ages. The two have contrasting characteristics and concepts. To the people in the medieval world, religion was their life. Everything in daily life focused around the church and God (Modern World 164). Medieval culture influenced the arts; this was evident in the religious themes. During the Italian Renaissance, painters and other artists focused on the portrayal of a more humanistic way of life. Renaissance artists’ work portrayed realism with “lifelike human figures in their paintings” (Modern World 164). Renaissance artists wanted to express ancient Greek and Roman cultures in their work (Modern World 162). Italian Renaissance
The Renaissance time period was home to many new ideas in art. This includes new artists bringing forth ideas that had yet to be discovered and made popular. New themes and types of art were also being brought forward during this period.
The first is a medieval painting, created by the Italian painter Duccio creation, we can see that his paintings are characterized by a typical dark tones, because it is the early Virgin image, painting skills are not too mature, more oil painting Has not been born, cannot be repeated stacking, repeated changes, and thus in the character image of the expressive force is not perfect, it is not a strong light and shadow effect, but on the basis of flat painted slightly darker blooming, so that the face of the Structure and clothing pattern to show the bumps. However, as time goes on, the earlier the icon on the image, the less the effect of three, the basic lines are outlined in the plane, with color is simple and bright. But the phenomenon of rigid expression until the 16th century when the image has not been
A man walked out of the doctors office, he had just been told that he had an incurable kind of cancer, and was given 15 years to live. Most people who had this cancer didn’t know they had it until it was too late, this man was lucky. The doctors wouldn’t have been able to do this without the advancement in technology, machines, etc. That man was my grandpa, and he is still living with that cancer. The medicine and technology used to diagnose my grandpa was prefaced by the medical advancements of the Renaissance. Although being a doctor during the Renaissance period would’ve been a life changing experience, being a doctor in modern time would be far superior. Modern doctors are trusted, do to having
“The Grafin von Scholfeld with her Daughter” is oil on canvas art piece painted in 1793. It is a painting of a woman holding her daughter on her lap, the