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Analysis Of The Return Of Martin Guerre

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Natalie Zemon Davis’ The Return of Martin Guerre depicts the peculiar historical life behind the trial of Martin Guerre and his wife Bertrande de Rols, whose lives were infiltrated by the imposter, Arnaud du Tilh. Taken place in Languedoc, France, the life of Martin Guerre a young peasant man, in which his abandonment of his flourishing farm and lifestyle in the village of Artigat, created the historical trial of impersonating lies, held to justify the innocence of one’s word against another. In the visual effects of the filmographic film The Return of Martin Guerre directed by Daniel Vigne; visualizes the historical story of Davis’ work into the world of cinema. In the time span of two hours and three minutes, the viewer is presented with the mysterious revelation of the identity of Bertrand's’ husband Martin. While both the film and the book uncover the identity of Martin and his imposter, Arnaud, the representations of the uprising allegations against Arnaud in the film are in fact not equivalent to that of the book. Throughout the film, it showcased Bertrande as of a victim of Arnaud’s duplicity, viewing her as a pure wife who was caught in the lies. Rather than playing the victim, in the book she consorts a dishonest marriage within a period in which women were consigned to subordinate positions, holding the most important voice in the rising of allegations against Martin Guerre.
In the film, we meet a young Bertrande de Rols who with the abandonment of her husband

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