In recent years, the term ‘narratology’ has often been associated principally with European structuralism [1], bolstered by the work of Gerard Genette, perhaps one of the most famous narrative theorists. Rather than other theorists, such as Todorov, who’s work on the influence of the protagonist on a narrative equilibrium has too provided an insight into different forms and varieties of narratives [2], Genette is more concerned with breaking down the mechanics and processes behind a story, shifting away from the characters and their respective character arcs. He argues that the principalities behind explaining narratology exist in the routine in which the story is presented. In simpler terms, his interest is not in the story itself, but how it is told. [3} In this essay, I will use this as an analytical tool for taking apart a selected narrative.
Any good author, playwright, or poet will always tell you that forms of literature will always contain a message. This may be personal, or historical for instance, but underneath the visual and auditory sugar-coat of graphology and literary techniques, there always exists an underlying message to influence and engage the reader. This could be ambiguous, or easily recognised, or perhaps in between. One prominent branch of writing subsists in between free verse and poetry, in what is known as ‘Prose’. More specifically, ‘The ‘Glossary of Poetic Terms (2006)’ [4] states “it is a piece of writing which features the charged language
How does the poet use language forms, features and structures to convey ideas and feelings?
Poems consist of a variation of different techniques in order to convey a message or idea to readers. Wilfred Owen, Thomas Hardy, Adrienne Rich, Bruce Dawe and Robert Browning are great poets who explore these issues, conveying their emotions, which influences a perception of an issue. In each of their poems they express the hidden message of hope, along with their main message. They use similar techniques to express their ideas, which illustrates their purpose to the reader.
11. A poet can work its magic on the reader by “choice of images, music of the language, idea content, and cleverness of wordplay” (Foster 17).
When deciding whether form ‘enables authors to communicate meaning more effectively’ it is important to first discover what the author is trying to express through their literature. Whilst motifs and themes may be apparent to an audience, upon reading a novel or watching a play. However, is not necessarily truthful to the authors intended meaning if the meaning itself is within within symbolism or dialogue.
When reading literature we often attempt to use particular threads of thought or lenses of critique to gain entry into the implied historic or legendary nature of literature. To accurately process a tale in the light in which it is presented, we have to consider the text from multiple viewpoints. We must take into consideration intentional and affective fallacies and the socioeconomic circumstances of the presenter/author/narrator. We also have to consider how our personal experience creates bias by placing the elements of the story into the web of relationships that we use to interpret the external world. There also is the need to factor in other external pressures, from societal norms, cultural ideals, and psychological themes, and how
In the process of writing, regardless of the form it takes, thesis or narrative for example, the purpose of the piece has several lenses that shape how the reader perceives the material. Of the less important lenses that shape the piece, mood, word choice, and rhetoric are only a few. These elements of the work, while minimal in a relative sense, accomplish the same as other, more important components, they influence how the reader perceives the material, how it is understood. If one is to effectively convey the message of the piece, one must first look at how the any reader perceives any text. This idea of how the reader perceives is a culmination of all the devices employed by the author. The idea is for the author to craft an aggregate
The narrative perspective helps us discover the underlying moral of the story– that is its argument about how we ought to and ought not to believe or behave (Sellnow 2017). Part of the narrative perspective is the viewer’s narrative rationality which refers to the assessment of good reasons used to persuade masses of the moral (Sellnow 2017). Another element in this perspective is its coherence defined as plausibility. Often times viewers will better agree with a moral whose story is believable and characters relatable. And the more believable and relatable the more the story resonates and that connects to its fidelity or the degree to which the values in a story ring true (Sellnow 2017). Under a narrative lens several different aspects are examined such as the actions and conditions that create the active and static events, the setting, characters that based on their depth are either round or flat. With predictable characters being flat and the unpredictable round.
The way the writer communicates is through their style. It appeals to the audiences emotions, it can make the message more artistic and memorable.
A story may depend on the structure of the book and how well it flows from page to page, but yet it strictly depends on the word choice and how effective the author is able to apply rhetorical devices. Stories such as A Separate Piece, A&P, and The Man I Killed, is able to effectively portray the character’s emotion, thoughts, and the intent of their actions. The authors use heroic, rhetorical strategies to reveal Tim, Gene and Sammy’s struggle to overcome their own selfless desires and ignorance toward the consequences, resulting with each protagonist’s life lesson.
This essay will explore the function of the narrative which helps the readers to perceive the meaning of the narrative. It will do so in terms of the point of view, narrative voice as well as the structure of the narrative. Furthermore, the setting of the story will be another focus which exploits the generic convention which reflects the social anxiety behind the story at the time. I
All stories consist of a few common structural elements found universally in myths, fairy tales, dreams, and movies. They are known collectively as The Hero’s Journey. Understanding these elements and their use in modern writing is the object of our quest. Used wisely, these ancient tools of the storytellers craft still have tremendous power to heal our people and make the world a better place (xxvii).
Poetry has a role in society, not only to serve as part of the aesthetics or of the arts. It also gives us a view of what the society is in the context of when it was written and what the author is trying to express through words. The words as a tool in poetry may seem ordinary when used in ordinary circumstance. Yet, these words can hold more emotion and thought, however brief it was presented.
Poems, plays and short stories all have one thing in common, they all tell a story. Each piece of literature sends a message that can be interpreted through many different views. The tone and other elements that the authors use throughout their work causes the reader to develop their own unique interpretation of the story, poem, or play. All interpretations are widely accepted just very diverse.
poem is not merely a static, decorative creation, but that it is an act of communication between the poet and
There are different forms of literature which can include essays, poems, novels, reports and more. The one thing all forms of literature have in common is that they all have meaning, purpose and form, but how it is expressed is all different, the question is how. Most of the times authors have a reason to convey such messages, and how the messages are delivered is up to the author as well. The author uses the form, it’s aesthetics to send the readers an image; what kind of literature it is. The authors also send the readers a blatant message, the message is sent through the text of the literature. Through the text on the literature the author portrays purpose, and with the form of the