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Analysis Of Gerard Genette's 'Glossary Of Poetic Terms'

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In recent years, the term ‘narratology’ has often been associated principally with European structuralism [1], bolstered by the work of Gerard Genette, perhaps one of the most famous narrative theorists. Rather than other theorists, such as Todorov, who’s work on the influence of the protagonist on a narrative equilibrium has too provided an insight into different forms and varieties of narratives [2], Genette is more concerned with breaking down the mechanics and processes behind a story, shifting away from the characters and their respective character arcs. He argues that the principalities behind explaining narratology exist in the routine in which the story is presented. In simpler terms, his interest is not in the story itself, but how it is told. [3} In this essay, I will use this as an analytical tool for taking apart a selected narrative.
Any good author, playwright, or poet will always tell you that forms of literature will always contain a message. This may be personal, or historical for instance, but underneath the visual and auditory sugar-coat of graphology and literary techniques, there always exists an underlying message to influence and engage the reader. This could be ambiguous, or easily recognised, or perhaps in between. One prominent branch of writing subsists in between free verse and poetry, in what is known as ‘Prose’. More specifically, ‘The ‘Glossary of Poetic Terms (2006)’ [4] states “it is a piece of writing which features the charged language

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